生於香港，⾃⼩隨⽗親習粤曲，隨名家習笛⼦、胡琴。2010畢業於⾹港演藝學院中國戲曲課程，主修拍和；曾活躍於大小戲班，擔任頭架、笛子樂師及音樂設計。於2012年創辦一才鑼鼓，致力以音樂會、傳統說唱、劇場、即興等各種表演形式呈現戲曲之音樂感。陳氏亦涉獵即興演奏、劇場及各類跨界演出，如：盤彥燊舞蹈作品「髮膚」（2021）、楊怡孜舞蹈作品「探花」（2022）、《塵歸土土歸塵》（中英劇團 2024）等。

Born in Hong Kong, Kong Chan learnt Cantonese Operatic songs from his father as well as Chinese flutes and strings at a young age. He graduated from the Chinese Opera Programme at The Hong Kong Academy for Performing Arts in 2010. In 2012, he founded the art group The Gong Strikes One. Chan also performs improvised music and collaborates with theatre and dance productions, recent collaborations include: Wayson Poon’s dance video, “A Letter to Father” (2021), Gigi Yang’s dance work, “Exploring the Floral Legend” (2022), and Chung Ying Theatre’s “Land for a Land” (2024), etc.

香港青年粵劇演員，習鬚生及丑生，陳劍烽入室弟子，並師承呂洪廣、關世振、張寶華。現活躍於香港、星馬等地粵劇演出，亦時有南音說唱演出。

An emerging Cantonese Opera artist, Kwok Kai Fai specialises in the chou (comic) and senior male role. He is a pupil of Chan Kim Fung and was also trained under Lui Hung Kwong, Guan Shizhen and Flora Cheung. He is a highly sought-after performer in Hong Kong, Singapore and Malaysia. He also performs the Cantonese narrative song, naamyam.

林葉為跨界藝術家及太鼓樂手，熱衷於聲音、表演與跨界實驗的探索。林葉畢業於香港演藝學院，作品多以糅合傳統與當代的表達方式呈現。

Based in Hong Kong, Lam Yip is an artist known for her exploratory work in sound, performance art, and interdisciplinary collaborations. A graduate of the Hong Kong Academy for Performing Arts, Lam Yip brings a unique perspective to her artistry. Engaging in collaborative performances and experimental projects, she skillfully merges different mediums to craft immersive and contemplative experiences. With a gentle touch, Lam Yip, who also practices taiko drumming, blends traditional training with contemporary expression, bridging cultural traditions and embracing creativity within the realm of performance art.

丁宗偉為跨界別聲音及音樂創作人。作品跨越當代音樂、劇場音樂及聲音設計、動畫及電影配樂。丁氏的作品曾由Atlas Ensemble、竹韻小集、 管樂雅集、TST三重奏及龢鳴樂坊首演。〈虛白〉由香港作曲家聯會委約並由竹韻小集首演。〈風刀霜劍〉獲頒紀大衛作曲獎，亦被觀眾選為當晚最佳作品。〈殘月葬花〉贏得音樂新一代2012的第二名。 “Please Open the Curtain” 獲選在阿姆斯特丹由Atlas Ensemble 首演。

由他設計聲音和音樂的劇場作品包括「跑吧！梅洛斯」、「黃大仙四圍騰」、「逆水行」、「富江」及「小島芸香」。由他共同創作的「燈塔」於斯德哥爾摩藝穗節獲最佳創新表演獎。他為天邊外劇場「培爾．金特」創作的音樂獲提名香港劇場獎之最佳配樂。

由他配樂的電影及動畫包括「病了」、 「魚．蝦．蟹」、「人生百歲方開始」、「你思故我在」、「推開世界的門」、「KEEP OUT」、「家常」。

Soundcloud 專頁：https://soundcloud.com/briantingcw

Ting Chung Wai is a multidisciplinary music/sound artist. His music has been premiered by Atlas Ensemble, Hong Kong Windpipe, Hong Kong Kamerata, Trio de TST and Chinese Music Virtuosi. “Anamnesis” is commissioned by Hong Kong Composers’ Guild and premiered by Hong Kong Windpipe. “Slashes of Frost and Wind”, is awarded both the David Gwilt Composition Prize and audience prize. “Flower Burial under a Pallid Moon” is the winner of the second prize in New Generation 2012 organized by Hong Kong Composers’ Guild. “Please Open the Curtain” is selected and premiered by Atlas Ensemble in Amsterdam.

He designs sound, composes and performs live music for theatre productions such as “Run, Melos, Run!”, “Around in Wong Tai Sin”, “Against the Current”, “Fu Kong” and “The Isle”. “Lighthouse”, which he co-created, is the recipient of Best Innovation in Performance award in Stockholm Fringe Festival 2017. His music for “Peer Gynt” by Theatre Horizon is nominated for Best Original Music in Hong Kong Drama Award.

His film and animation scores include “Sick”, “Fish, Prawn, Crab”, “Life Begins at 100”, “You Think Therefore I Am”, “Forever 17”, “KEEP OUT”, and “Daily Life”

Soundcloud Page: https://soundcloud.com/briantingcw

黃俊諱的作品橫跨室內樂、管弦樂、音樂劇及影片配樂。他常把不同類型的音樂風格融合，並以聲音造氣氛、情景，讓聽眾沉浸於仿如多媒體藝術的創作。最近他以浪漫派的意念建構作品，同時加入各種現代音樂元素，發展「廿一世紀(後期)浪漫主義」。

他的作品獲獎無數，多次於歐美、亞洲演出（包括ISCM國際現代音樂節、國際作曲家論壇、亞洲作曲家聯盟論壇及音樂節、亞洲青年管弦樂團世界巡迴演出）並出版。他曾與香港管弦樂團（盛宗亮、廖國敏等指揮）、德國國際現代合奏音樂學院（IEMA）、紐約愛樂交響樂團的成員等團體及演奏家如姜東錫和Jan-Erik Gustafsson合作。他曾獲梵志登大師委約創作小提琴與大提琴雙協奏曲作為他的 60 歲生辰禮物。

個人網頁：http://www.wongchunwaimusic.com

Wong Chun-wai has a versatile composition profile comprising concert music, musicals and film scores. He often infuses different musical languages to evoke atmospheres and sceneries, engaging audiences with quasi-multimedia-art experiences. He is also interested in incorporating contemporary musical ideas into the (Late) Romantic musical language. 

Winning multiple awards across the globe, his compositions are featured in international events such as the International Rostrum of Composers, ISCM World Music Days, Asian Composers League Festival, and the Asian Youth Orchestra World Tour; and are published by the PARMA Recordings, Ablaze Records (United States), Europa Musica Publishing (France) among others. His music is performed and recorded by prominent groups and musicians including the Hong Kong Philharmonic Orchestra (with Jaap van Zweden, Bright Sheng, Sebastian Perłowski and others), Internationale Ensemble Modern Akademie, performers from the New York Philharmonic and soloists including Dong-Suk Kang and Jan-Erik Gustafsson. He was commissioned a Double Concerto by maestro Jaap van Zweden for his 60^th birthday.

Films he scored are featured in international festivals including the Sound and Image Challenge Festival and Pink City International Short Film Festival. His arrangements have been performed by renowned groups and artists such as Nick Vujicic.

Homepage: http://www.wongchunwaimusic.com.